Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
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Self condemned to the immense and boundless prison of the Mojave desert, Phoenix leads a life of forced isolation, living by himself in a house as far away as possible from the rest of the world. Phoenix does one thing and one thing only: he digs holes. Every month he digs a hole in the middle of nowhere and buries something. The last stronghold of society stands with the man that frequently delivers his mail. When one day the delivery doesn’t happen by the hand of his trustworthy mailman, but by that of the beautiful and quizzical Ariel, Phoenix’s life derails in an escalation that leads him to dangerous consequences which will be impossible to escape.
Provocative, outrageously profane and surprisingly tender amidst an explosion of unbridled testosterone, 44 INCH CHEST explores the masculine ego at breaking point, testing whether fear is stronger than love. Colin (Ray Winstone) is in agony, shattered by his wife’s (Joanne Whalley) infidelity, so his friends kidnap the wife’s lover so he can have his revenge.
The filmed adaptation from David Benioff’s novel of the same name. Set in New York, a convicted drug dealer named Monty has one day left of freedom before he is sent to prison. Anger, blame, frustration, betrayal, guilt and loneliness are themes on this last day of friends, family, parties, saying goodbye, and setting things straight. A Spike Lee joint.