A police raid in Detroit in 1967 results in one of the largest citizens’ uprisings in the history of the United States.
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A dramatisation that follows Tony Blair’s journey from political understudy waiting in the wings of the world arena to accomplished prime minister standing confidently in the spotlight of centre stage. It is a story about relationships, between two powerful men (Blair and Bill Clinton), two powerful couples, and husbands and wives.
Legendary filmmaker Werner Herzog returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
A fatal plane crash changes the lives of Roman and Jake forever. Roman loses his wife and daughter in the accident, while Jake, his mind as he happens to be the air traffic controller, who fails to avert the nightmare. Rage and revenge engulfs Roman and Jake finds himself swamped with guilt and regret. Can the two make peace with the past?
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.