An in-depth look at the prison system in the United States and how it reveals the nation’s history of racial inequality.
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Virgil Oldman is a world renowned antiques expert and auctioneer. An eccentric genius, he leads a solitary life, going to extreme lengths to keep his distance from the messiness of human relationships. When appointed by the beautiful but emotionally damaged Claire to oversee the valuation and sale of her family’s priceless art collection, Virgil allows himself to form an attachment to her – and soon he is engulfed by a passion which will rock his bland existence to the core.
Former race car driver Brent Magna (Hawke) is pitted against the clock. Desperately trying to save the life of his kidnapped wife, Brent commandeers a custom Ford Shelby GT500 Super Snake, taking it and its unwitting owner (Gomez) on a high-speed race against time, at the command of the mysterious villain holding his wife hostage.
Ren Amari is the driven inventor of a revolutionary new drug. OtherLIfe expands the brain’s sense of time and creates virtual reality directly in the user’s mind. With OtherLife, mere seconds in real life feel like hours or days of exciting adventures. As Ren and her colleagues race around the clock to launch OtherLife, the government muscles in to use the drugs as a radical solution to prison overcrowding. They will create virtual cells where criminals serve long sentences in just minutes of real time. When Ren resists, she finds herself an unwilling guinea pig trapped in a prison cell in her mind. She must escape before she descends into madness, and then regain control of OtherLife before others suffer the same fate.
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.
Burroughs: The Movie is the first and only documentary to be made about and with the full participation of writer William S. Burroughs. Howard Brookner began shooting the film in 1978 as his senior thesis at NYU; with Burroughs’ cooperation it subsequently expanded into a feature completed 5 years later in 1983. The film was shot by Tom DiCillo and the sound was recorded by Jim Jarmusch; both NYU classmates. In a collaboration between Burroughs and director Howard Brookner the film explores Burroughs’ life story along with many of his contemporaries including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and Lauren Hutton. Burroughs: The Movie documents Burroughs’ long, controversial and productive life in great detail, film traveling from the American Midwest to North Africa, through defining moments of his wildly unconventional life, including several personal tragedies, charting the development of Burroughs’ unique literary style.